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Season 3, Episode 11

Posted in Episodes, and Season 3

Mysteries of Modernism at Schindler’s Buck House

One of the many great things about Los Angeles is its unrivaled legacy of modern residential architecture. Students in @peytonhall’s Materials Conservation class got to do their case study at the John J. Buck House (1934-35) by R. M. Schindler, one of the legendary architects who defined Southern California modernism. We got to tag along on a site visit and talk with Peyton, students Sam Malnati and Julie Dinkin, and owner Jocelyn Gibbs. 

The house is in great shape but has changed over time—even Jocelyn, an architectural historian, says it’s full of mysteries. Buck did an original concept, and Schindler (who often made changes during construction) redesigned it. Buck added Art Deco touches inside, so Schindler didn’t want the interiors published in his lifetime. Subsequent owners also altered the house and the grounds.

To unravel some of the mysteries, Peyton’s students documented the Buck House down to the Bakelite doorknobs, analyzed it inside and out to identify original elements and alterations, and suggested approaches to restoring the property (if anyone ever wanted to).

  • Black and white photo of a large white modern house
  • Color photo of large white modern house, from the front
  • Color photo of backyard of large white modern house, showing wall of windows and grassy yard
  • Color photo of the entrance to a boxy white house with an olive-green door
  • Color photo of an olive-green door with small cutout
  • Color photo of Buck House entrance hall and dining room
  • Dark photo of Buck House hallway with man on the phone
  • Color photo of Buck House hallway and dining room, with a seated black dog on the left
  • Color photo of a modern house with multiple open doorways, with a white chair in the foreground
  • Color photo of Buck House living room with projection equipment
  • Color photo of the backyard of a large modern house, with grassy lawn and potted trees
  • Color photo of a large white modern house with two people in front
  • Color photo of Buck House hall and dining room
  • Color photo of Buck House living room
  • Color photo with yard on the left and living room on the right, Buck House
  • Color photo of a large white modern house with walls of windows and a green back yard
  • Color photo of the front facade of the Buck House
  • Front entrance of Buck House
  • Color photo of three students pointing to an architectural feature in the Buck House
  • Color photo of Buck House interior, looking into the dining room with a wall of books
  • Color photo of students and instructor Peyton Hall in the Buck House dining room
  • Color photo of architectural features in the Buck House
  • Color photo of the Buck House living room
  • Color photo of Buck House rear facade
  • Color photo of a smiling group of students.
  • Lush green back yard with picnic table and potted plants
  • Two women talking in the Buck House living room
  • Two women talking in the Buck House entrance hall

Featuring

Sam Malnati, smiling
Sam Malnati

Sam Malnati is pursuing a dual-degree Master of Heritage Conservation and Urban Planning at USC. Growing up in New England, Sam’s love for historic buildings led them to study digital methods of architectural preservation during undergrad at Mount Holyoke College. Sam currently interns at AQYER, working with 3D technologies such as laser scanning and photogrammetry to document heritage sites around Los Angeles.

Color photo of Leslie Dinkin, smiling
Leslie Dinkin

Leslie Dinkin is a dual-degree Master of Landscape Architecture and Heritage Conservation candidate at USC. She received a Bachelor of Art in Anthropology from Colorado College. Her design work prioritizes community accessibility through direct engagement with residents, rooted in their histories. Leslie believes the most powerful way to experience a place is through walking. Her current research focuses on exploring the possibilities for co-authorship in reimagining large landscape infrastructure.

Black-and-white photo portrait of Peyton Hall
Peyton Hall, FAIA

Peyton Hall, FAIA is Adjunct Professor, School of Architecture, University of Southern California and Principal Architect Emeritus of Historic Resources Group. He serves on the Board of the Angelino Heights Historic Preservation Overlay Zone and Chairs the Preservation Committee of the Schindler House. Current projects include the Netflix Egyptian Theatre in Hollywood.

Color photo of smiling woman
Jocelyn Gibbs

Jocelyn Gibbs is an archivist and architectural historian. She was Head of Special Collections Cataloguing at the Getty Research Institute, Los Angeles; Associate Director for Collections at the Canadian Centre for Architecture/Centre Canadien d’Architecture, Montreal; and most recently, served as Curator of the Architecture and Design Collection at the Art, Design and Architecture Museum, UC Santa Barbara. She lives in R. M. Schindler’s J. J. Buck House (1934-35), Los Angeles.

Photo of Cindy Olnick
Cindy Olnick

Co-host Cindy Olnick is a communications pro specializing in heritage conservation. After fourteen years leading communications at the Los Angeles Conservancy, she formed her own practice in 2018.

Cindy chairs the communications committee of the National Preservation Partners Network. She also serves on the board of Photo Friends of the Los Angeles Public Library (for whom she wrote the 2017 book, Los Angeles: Lost and Almost Lost).

The Wachsmanns

The Buck House has had many residents over the years, including world-renowned architect Konrad Wachsmann (1901-1980), who lived there with his family in the mid- to late 1970s. A German architect whose early designs included a summer home for Mr. and Mrs. Albert Einstein, Wachsmann emigrated to the U.S. in 1941 after fleeing Nazi Germany. He partnered with fellow exile Walter Gropius in advancing the prefabrication of building components. Wachsmann lectured around the world and taught at USC from 1964 to 1974, leading its Building Research Institute. Wachsmann’s wife Judith was an accomplished furniture designer who created much of her work in the Buck House. Their daughter Ray took wonderful photos of the house during their residency and generously shared them with us for the slideshow above. 

Want to know more about some of the ideas and places mentioned in this episode? Check out: 

[Historic-Cultural Monument] No. 122 – Buck House, Big Orange Landmarks

Rudolph M. Schindler (biography), MAK Center for Art and Architecture

“To Schindler, the act of dwelling is one of the most basic and continuing human activities,” Dan O’Neil, The Architectural Review, 12 April 1973

Konrad Wachsmann lecture (video, Part 1), with introduction by Shelly Kappe, 1977, SCI-Arc Media Archive (Part 2)

Tribute to Konrad Wachsmann (video), including remarks from his close friend Esther McCoy, 1981 (Part 1 of 2)

“Almost Lost, Then Found,” Susan Morgan, MODERN magazine, January 25, 2017 — about Dr. Fritz (Fred) Block, who took the Kodachrome slides in the slideshow above

USC Heritage Conservation Programs

Credits

Episode produced by Willa Seidenberg with help from Cindy Olnick

Original theme music by Stephen Conley (stephenconleymusic@gmail.com)

Additional music for this episode by Teddy Seidenberg

Photos of the Buck House by Danielle Armstrong

Website assistance by Steven Fimbres

Save As logo designed by Fern Vargas, USC School of Architecture

More about the Save As team on the About page