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Tag: Venice

Season 3, Episode 5

Posted in Episodes, and Season 3

[Encore] Fictional History: Recognizing TV and Film Locations

In case you missed it, we’re re-releasing an episode from last season, chosen by our Save As intern, Emily Kwok. It’s an Emily’s Pick!  

Should the Brady Bunch House be in the National Register of Historic Places? Why not? asks alum Jonathan Kaplan. In his master’s thesis, the TV writer-turned-heritage conservationist makes a case for designating sites specifically for their use in movies and TV shows. Along with literary precedent dating back to Chaucer, Jonathan cites the deep meaning and shared cultural experiences these places create. If a place inspires meaning, does it matter where that meaning comes from? Does reality matter in these fact-fluid times? Join us for a fascinating conversation that’s just the tip of the iceberg.

Season 2, Episode 4

Posted in Episodes, and Season 2

Oakwood and the “Racing of Space” in Venice

At the turn of the last century, Black entrepreneur Arthur L. Reese convinced developer Abbot Kinney to hire Black workers for Kinney’s seaside resort and amusement park, Venice of America. Reese had a hard time recruiting Blacks to the area because, even though Venice was one of the few neighborhoods without racially restrictive covenants, no one would rent or sell to them. Thus was born the Black ethnic enclave of Oakwood, formed through de facto racial separation, or the “racing of space.” In this episode, alum Rita Cofield delves into Oakwood’s rich history, from the effects (positive and negative) of spatial segregation to the tangible and intangible evidence that remains–yet now faces erasure through rampant gentrification.

Season 2, Episode 3

Posted in Episodes, and Season 2

Fictional History: Recognizing TV and Film Locations

Should the Brady Bunch House be in the National Register of Historic Places? Why not? asks alum Jonathan Kaplan. In his master’s thesis, the TV writer-turned-heritage conservationist makes a case for designating sites specifically for their use in movies and TV shows. Along with literary precedent dating back to Chaucer, Jonathan cites the deep meaning and shared cultural experiences these places create. There’s a reason the Christmas Story House is one of the top tourist attractions in Cleveland.

If a place inspires meaning, does it matter where that meaning comes from? Does reality matter in these fact-fluid times? Join us for a fascinating conversation that’s just the tip of the iceberg. For many, many more examples, check out Jonathan’s thesis, From Ramona to the Brady Bunch: Assessing the Historical Significance of Sites Used in Movies and Television Shows.